by John Kearns
Photos by Gordon Gilbert
The IAW&A Salon, which started at Bar Thalia in June 2011, began its seventh year at the Symphony-Space cafe on July 6th with an evening featuring plenty of drama as well as poetry, fiction, and song. It even included the presentation of this year’s McCourt Awards to recent graduates from the Frank McCourt High School.
Sadly George Kornienko, bartender and part of owner of Rocky Sullivan’s and Marty O’Brien’s pubs, passed away on the same day as our salon. So, we dedicated the evening’s session to him. George was a spirited and energetic man who supported writers and musicians and made everyone feel welcome. He touched many lives.
Singer and musician Mary Courtney kicked off the salon playing guitar and singing “Mandela,” a favorite of George Kornienko’s. For her second song, “Saoirse” (Freedom), she accompanied herself on bodhran. To conclude her set, Mary put down her instruments and performed in the sean nos style a rousing rendition of “Irish Ways and Irish Laws.” Mary performs every Friday night at An Beal Bocht in the Bronx.
Opal Taylor-Besson and Rob Hille performed a scene from “Mine” by Maria Deasy. Opal is Rebecca, a Manhattan paralegal, who learns of an explosion in one of her client’s West Virginia mines, trapping 8 miners underground. Rob plays Tom, her paralawful paramour. As rescue teams attempt to bring miners home alive under media scrutiny, Rebecca embarks on a journey that questions Tom and everything about the world around her. What is the distance between those who push paper and those who dig deep?
Opal Taylor-Besson and Rob Hille
Gordon Gilbert read a series of short poetic monologues from an
as-yet-unpublished book entitled Noir Cityscapes – voices of those New Yorkers,
human and otherwise, who live by night.
Thom Molyneaux introduced us to Old John from his play about Shakespeare and the making of Richard the Third “Re’Wrighting the Creeping Venomed Spider King.” In a monologue Old John wryly and dramatically recounts the famous Battle of Bosworth Field which proves the story of the evil murderous Richard is a lie and that if they want to “cover the seats in the theater with arses” they’d best play the lie not the truth.
John McDonagh tried out some new cabbie stories about passengers heading to the hospital. He will be using his new material in his one man play Cabtivist at his next performance Wed July 19 at the Payomet performing arts center in Truro Cape Cod.
Each year the IAW&A awards graduating seniors from the Frank McCourt High School who show promise in writing with our McCourt Award. Just before the break Brendan Costello presented checks to this year’s recipients Lajiere Blake and Katie McCarthy.
After the break, I was very pleased to have actors Maria Deasy, Annalisa Chamberlin, Jack DiMonte, and Mark Butler read an excerpt from my novel, Worlds. Near the end of the novel, Paul Logan, Laura, and Gavin make it to Broadway in Times Square. With a parody of Broadway playbills and poetic descriptions of the lights of Times Square, the excerpt brings Irish nationalist Paul to the corner where he will be dropped off and where he learns that Laura is the daughter of a Northern Irish Protestant.
Mark Butler, Jack DiMonte, Annalisa Chamberlin, and Maria Deasy
Rosina Fernhof read Jenifer Margaret Kelly’s “Creative Writing 101”- a short fiction piece based on a young girl’s experiences in a Creative Writing class in a late-1960s Miami Catholic Girls School. The work portrays how the young girl came to the writer’s life, the places it took her, and the things it saved her from.
Salon regular, novelist and short story writer, Kevin R. McPartland read from a new chapter of his novel in progress entitled, Brooklyn Rhapsody. In the chapter we encounter a lone stranger, deeply disturbed by his war experiences and convinced he must find a member of a local Brooklyn American Legion Post before night’s end. All in attendance agreed that Kevin has something in the fire with this novel for sure.
Kevin R. McPartland
John Brennan read two original pieces “The Flawed Mortal” an homage to the great Russian author, physician, and playwright Mikhail Bulgakov and “Oliver” telling how Phelim Brady, the Bard of Armagh gave aid to Bishop Oliver Plunkett and his close friend John Brennan, Bishop of Cashel. when they were on the run in South Armagh.
Brent Shearer, who read a short story called “Miriam’s Martini,” runs “In the Front Row, On the Dole,” the only NYC readings blog that tells authors when they have droned on too long by use of our exclusive Drone-On-Meter.
Annalisa Chamberlin sang two songs, accompanied by John Kearns on guitar. The first song, which she learned from her grandfather named George, was the folk song, “Where the Honey Wind Blows,” recorded by the Brothers Four. Annalisa’s second song, a stirring rendition of “With or Without You” marked the 30th anniversary of U2’s Joshua Tree album and the band’s recent performances in the New York area.
Annalisa Chamberlin and John Kearns
Join us at our next salon at the Cell on Tuesday July 18th for an evening on the theme of immigration to the US from Ireland and around the world. Curated and hosted by Karen Daly and Brendan Costello, the event promises to be an evening to remember! Here is the 2017 Salon schedule: http://i-am-wa.org/salons.
See you there!